Bach Bibliography
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1. Es ist genug. In: The Commonwealth of Music in honor of Curt Sachs. Ed. by Gustave Reese and Rose Brandel. New York: The Free Press, 1965. 1965
2. I know that my Redeemer lives ... / [Johann Michael Bach] For Five-part Chorus of Mixed Voices a cappella. English version by W. Wager ... Transcribed by K. Geiringer. - New York: G. Schirmer, 1940. (= 'Old Masters of Choral Song. Edited by K. Geiringer', No. 1) 1940
3. Unbekannte Werke von Nachkommen J. S. Bachs in amerikanischen Sammlungen. In: Bericht über den siebenten Internationalen Musikwissenschaftlichen Kongress Köln 1958. - Kassel [u.a.]: Bärenreiter, 1959. 366p. - pp. 110-112. 1959 110-112
4. The lost portrait of J. S. Bach. N.Y.: Oxford Univ. Press, 1950, 12p. 1950 12p
5. Symbolism in the music of Bach. A Lecture. Washington: Library of Congress 1956, 16p. [Louis Charles Elson Memorial Fund.] 1956 16p
6. The Bachs. A family portrait. Boston: Univ. Press., 1953, 23p. 1953 23p
7. The Music of the Bach Family: An Anthology. Cambridge, Mass.: Harvard University Press; London: Cumberlege, 1955. - N.Y.: Da Capo Press 1980. 248p. 1955 248p
8. Johann Sebastian Bach. A szersö munkatársa Irene Geiringer. - Budapest: Zeneműkiadó, 1976. 293p. 1976 293p Latin 2
9. Johann Sebastian Bach. I samarbete med Irene Geiringer. Övers. Kajsa Rootzén. - Stockholm: Bokförlaget Pan/Norsteds 1969. 339p. 1969 339p
10. Musical Instruments. Their History from the Stone Age to the Present Day. Translated by Bernard Miall. London: Allen and Unwin, 1943. 339p. - 2nd edn. 1945, 340p; R/1965. 1943 339p
11. Johann Sebastian Bach. The culmination of an era. In collaboration with Irene Geiringer. N. Y.: Oxford Univ. Press, 1966. 382p. - Nowich: Jarrold & Sons, London: Allan and Unwin 1967. xi, 382p. 1966 382p
12. J. S. Bach. Trans. French by Rose Celli. Paris: Ed. du Seuil 1970. 398p. (= Musique) 1970 398p
13. Johann Sebastian Bach. Sono Shogai to Ongaku. [Johann Sebastian Bach. The culmination of an Era] Trans. Japanese by Ichiro Sumikura. Tokyo: Hakusuisha 1970, 2/1973, R/1997. 452p. 1970 452p
14. Die Familie Bach. Piano solo = The Bach family = Les Bach / Stücke von Johann Bach ... Hrsg. von Karl Geiringer. - Wien: Universal-Ed., 1936. 48p. 1936 48p
15. Alte Meistersonaten für Geige und Klavier = Sonatas by old masters for violin & piano. Herausgegeben von Karl Geiringer. [Score & Part] - Wien: Universal Edition, 1937. 48p + St. Pl.-Nr.: U.E.10914. [Contains sonatas by Jean Marie Leclair, Giuseppe Tartini, Johann Mattheson, Johann Christian Bach (Sonata G dur für Violin u. Pfte), and Luigi Boccherini] 1937 48p + St
16. Hun naam was Bach. Zeven generaties muzikale scheppingskracht. Arnheim: Van Loghum Slaterus, 1956. 495p 1956 495p
17. The Bach Family. Seven generations of creative genius. In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p. 1954 514p
18. Bach et sa Famille. Sept Générations des Génies Créateurs. En collabor. avec Irčne Geiringer. Traduit de l'Anglais, Ire et IIe parties par Marguerite Buchet et IIIe partie par Jacques Boitel. - Paris: Corręa, 1955. 557p. 1955 559p
19. La familia de los Bach. Siete generaciones de genio creador. Trad. del inglés por Guillermo Sans Huelin y Maria Teresa de Llanos de Sans. - Madrid: Espada-Calpe. 1962. 592p 1962 592p
20. I. Bach. [trans. from 1954 edn.] Milano: Rusconi 1981. 714p. (= La musica, 8) 1981 714p
21. Die Musikerfamilie Bach. Musiktradition in 7 Generationen. Unter Mitarb. von Irene Geiringer. - 2nd edn. München: Beck, 1977. ix, 397p. ISBN: 3-406-06985-1. 1977 ix, 397p
22. Johann Sebastian Bach. Culminación de una era. [Johann Sebastian Bach. The culmination of an Era] Karl Geiringer; en colaboración con Irene Geiringer; [traducción del inglés de Salustio Alvarado] Madrid: Altalena editores, 1982. x, 410p. ISBN: 84-7475-142-X. (= Contrapunto) 1982 x, 410p
23. Johann Sebastian Bach. München: Beck. 1971. xii, 376p, 2/1978. 3/1985. viii, 377p. Mit Noten. (= Beck'sche Sonderausgaben) 1971 xii, 376p
24. Die Musikerfamilie Bach. Leben und Wirken in drei Jahrhunderten. München: Beck'sche Verlagsbuchhandlung, 1958, xiv, 571p. 2/1977, xiv, 397p. (= Becksche Sonderausgaben) 1958 xiv, 571p
25. Bach's Oratorios. AmerChoralReview 9 3 Spring 1967 22-25
26. Bach no Ongaku ni okeru Shochoho. Trans. by Sei Honda. [Symbolism in the Music of J. S. Bach.] BachSosho 9 1978 7-24
27. Bach's work-cycle. Bach Problems. III. [cr]NewYork1961 2 1962 129-130
28. Bach as 'conservator' vs. Bach as 'pathbreaker'. Bach Problems. 2. [cr]NewYork1961 2 1962 131
29. Emanuel Bach and the music of the Viennese classical triad. DetroitMMcol 35 2002 195-202
30. Brahms's performance arrangements of Es ist genug. [BWV 60] DetroitMMcol 49 2006 379-387
31. Brahms als Musikhistoriker. DieMusik 25 8 May 1933 571-578
32. Unbeachtete Kompositionen des Bückeburger Bach. InnsbruckBeitrKulturWiss 3 1956 99-107 [fs]Fischer70
33. Artistic interrelations of the Bachs. MQ 36 3 Jul 1950 363-374
34. Carl Philipp Emanuel Bach und die Meister der Wiener klassischen Schule. OMzs 43 6 1988 300-306
35. Pictorialism and Symbolism in the Music of Bach. A paper given at the Pacific Northwest Chapter meeting of the AMS on May 11-12, 1973 at the University of Oregon, Eugene. [p]AMS_PacificNorthwest May 1973
36. C.P.E. Bach and the Viennese Classical School. A paper read at the Pacific Southwest Chapter meeting of the American Musicological Society on 21 November 1987 at the California State University, Los Angeles. [p]AMS_PacificSouthwest Nov 1987
37. Der Einfluß der Aufklärung auf J. S. Bachs künstlerisches Denken. StudMcolAcadSciHungaricae 11 1-4 1969 201-206 [fs]Szabolcsi

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